- NEW PRESS RELEASE BY RÓMULO-ANTONIO TENÉS
PICASSO IN ISTANBUL, ANOTHER GROTESQUE EXHIBITION
- List of the absolutely worthless fake Picassos, without a signature or date and which are total forgeries, on show at the Sakip Savanci Museum in Istanbul.
- The Sakip Savancy Museum has been deceived by Picasso Administration S.A., Réunion des Musées Nationaux de France, Barcelona City Council, Bernard Ruiz Pauplin (Alias Ruiz-Picasso), Marilyn McCully and John Richardson, the latter three being alleged essential collaborators in this criminal enterprise.
- The result is visitors are being swindled.
- Investors in the art market must be aware that Pablo Ruiz Picasso obsessively signed and dated all his works -oil paintings, drawings and prints-.
- Therefore, the "New Picassos" belonging to Bernard Ruiz Pauplin (alias Ruiz-Picasso) lacking a signature or date, must be seen as absolute forgeries.
- 26 new fake Picassos from Bernard Ruiz Pauplin (alias Ruiz-Picasso) without a signature or date, are presently on display in Istanbul.
- 52 fake Picassos from Bernard Ruiz Pauplin (alias Ruiz-Picasso) exhibited in the Barcelona Picasso Museum have been reported to nº 1 Central Trial Court in Madrid (Law Suit Nº 203/2005).
- A judicial procedure is expected in accordance with the Law.
- And what do Christie’s and Sotheby’s have to say about this?
- Will they sell these fakes when the Istanbul show comes down?
- Falsifying Picasso’s signature is a crime as per article 26 of the Spanish Penal Code (Picasso died as a Spanish National); on the other hand, placing a fictitious date on the back of fake paintings is more difficult to prove as a criminal act.
- Investors in the Art Market are thus aware of the new fraud being committed by Picasso’s heirs.
- The Sakip Savancy Museum has been deceived by Picasso Administration S.A., Réunion des Musées Nationaux de France, Barcelona City Council, Bernard Ruiz Pauplin (Alias Ruiz-Picasso), Marilyn McCully and John Richardson, the latter three being alleged essential collaborators in this criminal enterprise.
- The result is visitors are being swindled.
- Investors in the art market must be aware that Pablo Ruiz Picasso obsessively signed and dated all his works -oil paintings, drawings and prints-.
- Therefore, the "New Picassos" belonging to Bernard Ruiz Pauplin (alias Ruiz-Picasso) lacking a signature or date, must be seen as absolute forgeries.
- 26 new fake Picassos from Bernard Ruiz Pauplin (alias Ruiz-Picasso) without a signature or date, are presently on display in Istanbul.
- 52 fake Picassos from Bernard Ruiz Pauplin (alias Ruiz-Picasso) exhibited in the Barcelona Picasso Museum have been reported to nº 1 Central Trial Court in Madrid (Law Suit Nº 203/2005).
- A judicial procedure is expected in accordance with the Law.
- And what do Christie’s and Sotheby’s have to say about this?
- Will they sell these fakes when the Istanbul show comes down?
- Falsifying Picasso’s signature is a crime as per article 26 of the Spanish Penal Code (Picasso died as a Spanish National); on the other hand, placing a fictitious date on the back of fake paintings is more difficult to prove as a criminal act.
- Investors in the Art Market are thus aware of the new fraud being committed by Picasso’s heirs.
- FOR THE GOOD TRANSPARENCY OF THE ART MARKET AND THE LEGITIMATE INTERESTS OF THE INVESTOR:
Rómulo-Antonio Tenés is committed to supervise and purify Picasso's worldwide collections in an altruist manner and to advise any legal action against Picasso Administration S.A., for the proven issuing of false authenticity certificates.
Rómulo-Antonio Tenés is committed to supervise and purify Picasso's worldwide collections in an altruist manner and to advise any legal action against Picasso Administration S.A., for the proven issuing of false authenticity certificates.
- BELOW IS A LIST OF THE ABSOLUTELY WORTHLESS FAKE PICASSOS, WITHOUT A SIGNATURE OR DATE AND WHICH ARE TOTAL FORGERIES, ON SHOW AT THE SAKIP SAVANCI MUSEUM IN ISTANBUL:
58.- Head of a woman (Olga). Tête de femme
Absolutely Fake. Worthless. No signature
Charcoal, 22 x 16 cm.
Page 165 of the Catalogue
59.- Man seated in an armchair. L´homme assis au fauteuil
Absolutely Fake. Worthless. No signature
Oil on canvas, 100 x 81 cm.
Page 167 of the Catalogue
61.- Face of Marie-Thérèse. Visage de Marie-Thérèse
Absolutely Fake. Worthless
Lithograph, 20.4 X 14.2 cm.
Page 171 of the Catalogue
62.- Head of a woman in grey and blue ( Marie-Thérèse)
Absolutely Fake. Worthless
Oil on canvas, 22 x 16 cm. Dated on stretcher. 22 août XXIX
Page 173 of the Catalogue
63.- The kiss, with flowers. Le baiser aux fleurs
Absolutely Fake. Worthless
Oil on canvas, 22 x 14 cm.
Page 175 of the Catalogue
64.- Woman in grey and black. Femme grise et noire
Absolutely Fake. Worthless. No signature
Oil on canvas, 187 x 128 cm.
Page 177 of the Catalogue
68.- Woman lying in the sun. Femme allongée au soleil
Absolutely Fake. Worthless. No signature
Oil on canvas, 24 x 33 cm.
Page 185 of the Catalogue
69.- Siesta. La sieste
Absolutely Fake. Worthless. No signature
Oil on canvas, 97 x 130 cm. Dated on reverse, 18 août XXXII
Page 187 of the Catalogue
58.- Head of a woman (Olga). Tête de femme
Absolutely Fake. Worthless. No signature
Charcoal, 22 x 16 cm.
Page 165 of the Catalogue
59.- Man seated in an armchair. L´homme assis au fauteuil
Absolutely Fake. Worthless. No signature
Oil on canvas, 100 x 81 cm.
Page 167 of the Catalogue
61.- Face of Marie-Thérèse. Visage de Marie-Thérèse
Absolutely Fake. Worthless
Lithograph, 20.4 X 14.2 cm.
Page 171 of the Catalogue
62.- Head of a woman in grey and blue ( Marie-Thérèse)
Absolutely Fake. Worthless
Oil on canvas, 22 x 16 cm. Dated on stretcher. 22 août XXIX
Page 173 of the Catalogue
63.- The kiss, with flowers. Le baiser aux fleurs
Absolutely Fake. Worthless
Oil on canvas, 22 x 14 cm.
Page 175 of the Catalogue
64.- Woman in grey and black. Femme grise et noire
Absolutely Fake. Worthless. No signature
Oil on canvas, 187 x 128 cm.
Page 177 of the Catalogue
68.- Woman lying in the sun. Femme allongée au soleil
Absolutely Fake. Worthless. No signature
Oil on canvas, 24 x 33 cm.
Page 185 of the Catalogue
69.- Siesta. La sieste
Absolutely Fake. Worthless. No signature
Oil on canvas, 97 x 130 cm. Dated on reverse, 18 août XXXII
Page 187 of the Catalogue
79.- Woman writing a letter. Femme écrivant une lettre
Absolutely Fake. Worthless
Oil on canvas, 46 x 38 cm. Dated on reverse: 22 avril XXXVI
Page 207 of the Catalogue
80.- Still life with a jug and a piece of bread
Absolutely Fake. Worthless. No signature
Oil on canvas, 73 x 60 cm.
Page 209 of the Catalogue
94.- Vanitas. Vanité
Absolutely Fake. Worthless. No signature
Oil on canvas, 60 x 73 cm. Dated on reverse: 27-D-46
Page 237 of the Catalogue
95.- Woman with a hat. Visage
Absolutely Fake. Worthless. No signature
Oil on canvas, 73 x 60 cm. Dated on reverse:16.4.47
Page 239 of the Catalogue
102.- Still life. Nature morte
Absolutely Fake. Worthless. No signature
Oil on wood, 60 x 100 cm. Dated on reverse: 7/10/48
Page 253 of the Catalogue
116.- Woman and children: the drawing. Femme et enfants: le dessin
Absolutely Fake. Worthless. No signature
Oil on canvas, 130 x 97 cm. Dated on reverse: 15.5.54
Page 281 of the Catalogue
123.- Head of a woman. Tête de femme
Absolutely Fake. Worthless. No signature
Metal cut-out, bent and painted with Ripolin, 39 x 21.5 x 7 cm.
Page 295 of the Catalogue
132.- Woman. Femme
Absolutely Fake. Worthless. No Signature
Oil on canvas, 81 x 65 cm. Dated on reverse: 7.7.71
Page 313 of the Catalogue
133.- Head. Tête
Absolutely Fake. Worthless. No signature
Oil on canvas, 81 x 65 cm. Dated on reverse: 9.8.71
Page 315 of the Catalogue
134.- Bust. Buste
Absolutely Fake. Worthless. No signature
Oil on canvas, 92 x 73 cm. Dated on reverse: 23.8.71.II
Page 317 of the Catalogue
118.-Tapestry of Les Demoiselles d Avignon
Absolutely Fake. Worthless
Wool woven, 272 x 260 cm.
Page 285 of the Catalogue
Tapestry. Women at their toilette
Absolutely Fake. Worthless
Page 218-9 of the Catalogue
- LIST OF THE ABSOLUTELY WORTHLESS FAKE PICASSOS FROM THE PERIOD BETWEEN 1895 AND 1898, ON SHOW AT THE SAKIP SAVANCI MUSEUM (IT HAS BEEN SCIENTIFICALLY PROVEN THAT PICASSO STARTED TO PAINT IN 1900):
10.- Self-Portrait. Verso: Decorative motifs
Absolutely Fake. Worthless
The true painter’s signature has been ripped off from the upper right corner. The
signature "J. Ruiz Picasso is absolutely false, hence, it is an allegedly criminal act
made by Picasso Administration S.A.
Pencil on paper, 39.5 x 27.5 cm.
Page 69 of the Catalogue
2.- Women kneeling by a stream (The washing place)
Absolutely Fake. Worthless
The true Author is: Jose Ruiz Blasco, Picasso’s father
Flagrant criminal act of Christian Zervos, Pablo Picasso and Picasso Administration S.A.
Z.IV.20.
La Coruña, 1895. Oil on wood, 10 x 15.5 cm.
Page 53 of the Catalogue
1.- Bird (Sparrow)
Absolutely Fake. Worthless
The true Author is: Jose Ruiz Blasco, Picasso’s father
La Coruña, 1895. Oil on wood, 10.5 x14.5 cm.
Page 51 of the Catalogue
3.- Seated woman. Femme assise (verso: Escalier et dragons)
Absolutely Fake. Worthless
Author: Jose Ruiz Blasco, Picasso’s father. The "J" has been falsified into "P" of Pablo
Acting in a criminal act
Barcelona 1895. Pencil on torn grey paper, 31 x18.5 cm.
Page 55 of the Catalogue
4.- The artist’s family in the evening. Velada familiar
Absolutely Fake. Worthless
Author: Anonymous. Flagrant criminal act
Oil on wood, 13.8 x 22 cm. MPB 110.38
Page 57 of the Catalogue
5.- Woman reading and caricatures
Absolutely Fake. Worthless
Author: Anonymous. Allegedly criminal act of the Fundación Almine y Bernard Ruiz
Pauplin (alias Ruiz-Picasso) para el Arte
Charcoal on paper, 31 x 24 cm.
Page 59 of the Catalogue
- Rómulo-Antonio Tenés is Biographer of Picasso's childhood. Author of the book "Picasso 1891-1897 Fraud" I.S.B.N. 84-609-6565-1, Dep. Legal M-31618-2005. A 656 page book recognized as a scientific work by the Spanish Ministry of Culture.
Oil on canvas, 46 x 38 cm. Dated on reverse: 22 avril XXXVI
Page 207 of the Catalogue
80.- Still life with a jug and a piece of bread
Absolutely Fake. Worthless. No signature
Oil on canvas, 73 x 60 cm.
Page 209 of the Catalogue
94.- Vanitas. Vanité
Absolutely Fake. Worthless. No signature
Oil on canvas, 60 x 73 cm. Dated on reverse: 27-D-46
Page 237 of the Catalogue
95.- Woman with a hat. Visage
Absolutely Fake. Worthless. No signature
Oil on canvas, 73 x 60 cm. Dated on reverse:16.4.47
Page 239 of the Catalogue
102.- Still life. Nature morte
Absolutely Fake. Worthless. No signature
Oil on wood, 60 x 100 cm. Dated on reverse: 7/10/48
Page 253 of the Catalogue
116.- Woman and children: the drawing. Femme et enfants: le dessin
Absolutely Fake. Worthless. No signature
Oil on canvas, 130 x 97 cm. Dated on reverse: 15.5.54
Page 281 of the Catalogue
123.- Head of a woman. Tête de femme
Absolutely Fake. Worthless. No signature
Metal cut-out, bent and painted with Ripolin, 39 x 21.5 x 7 cm.
Page 295 of the Catalogue
132.- Woman. Femme
Absolutely Fake. Worthless. No Signature
Oil on canvas, 81 x 65 cm. Dated on reverse: 7.7.71
Page 313 of the Catalogue
133.- Head. Tête
Absolutely Fake. Worthless. No signature
Oil on canvas, 81 x 65 cm. Dated on reverse: 9.8.71
Page 315 of the Catalogue
134.- Bust. Buste
Absolutely Fake. Worthless. No signature
Oil on canvas, 92 x 73 cm. Dated on reverse: 23.8.71.II
Page 317 of the Catalogue
118.-Tapestry of Les Demoiselles d Avignon
Absolutely Fake. Worthless
Wool woven, 272 x 260 cm.
Page 285 of the Catalogue
Tapestry. Women at their toilette
Absolutely Fake. Worthless
Page 218-9 of the Catalogue
- LIST OF THE ABSOLUTELY WORTHLESS FAKE PICASSOS FROM THE PERIOD BETWEEN 1895 AND 1898, ON SHOW AT THE SAKIP SAVANCI MUSEUM (IT HAS BEEN SCIENTIFICALLY PROVEN THAT PICASSO STARTED TO PAINT IN 1900):
10.- Self-Portrait. Verso: Decorative motifs
Absolutely Fake. Worthless
The true painter’s signature has been ripped off from the upper right corner. The
signature "J. Ruiz Picasso is absolutely false, hence, it is an allegedly criminal act
made by Picasso Administration S.A.
Pencil on paper, 39.5 x 27.5 cm.
Page 69 of the Catalogue
2.- Women kneeling by a stream (The washing place)
Absolutely Fake. Worthless
The true Author is: Jose Ruiz Blasco, Picasso’s father
Flagrant criminal act of Christian Zervos, Pablo Picasso and Picasso Administration S.A.
Z.IV.20.
La Coruña, 1895. Oil on wood, 10 x 15.5 cm.
Page 53 of the Catalogue
1.- Bird (Sparrow)
Absolutely Fake. Worthless
The true Author is: Jose Ruiz Blasco, Picasso’s father
La Coruña, 1895. Oil on wood, 10.5 x14.5 cm.
Page 51 of the Catalogue
3.- Seated woman. Femme assise (verso: Escalier et dragons)
Absolutely Fake. Worthless
Author: Jose Ruiz Blasco, Picasso’s father. The "J" has been falsified into "P" of Pablo
Acting in a criminal act
Barcelona 1895. Pencil on torn grey paper, 31 x18.5 cm.
Page 55 of the Catalogue
4.- The artist’s family in the evening. Velada familiar
Absolutely Fake. Worthless
Author: Anonymous. Flagrant criminal act
Oil on wood, 13.8 x 22 cm. MPB 110.38
Page 57 of the Catalogue
5.- Woman reading and caricatures
Absolutely Fake. Worthless
Author: Anonymous. Allegedly criminal act of the Fundación Almine y Bernard Ruiz
Pauplin (alias Ruiz-Picasso) para el Arte
Charcoal on paper, 31 x 24 cm.
Page 59 of the Catalogue
- Rómulo-Antonio Tenés is Biographer of Picasso's childhood. Author of the book "Picasso 1891-1897 Fraud" I.S.B.N. 84-609-6565-1, Dep. Legal M-31618-2005. A 656 page book recognized as a scientific work by the Spanish Ministry of Culture.
